

KOCHI:
Renowned Dutch artist-filmmaker Renzo Martens said that multinational corporations that run or provide financial support to many of the top museums make huge profits, while the lower classes and erstwhile colonial plantation workers who strive for their products have to live on low incomes without their own land. Martens was speaking at the Let’s Talk session organised by Kochi-Muziris Biennale at RLV College, Tirpunithura.
The event was organised as part of the programming ahead of the sixth edition of KMB which is scheduled to open on December 12, 2025.
Setting the tone for the 100-minute session, titled Connecting Museums to the Plantations that Funded Them, with the screening of his documentary The White Cube, Martens noted that it is a paradox that museums still claim to provide a glimpse into the lives of ordinary people, despite the vast plantations that giant chocolate companies cultivate for their products were bought from poor indigenous peoples at low prices during colonial times.
Cocoa, coffee and tobacco plantations across the world have a similar history, he said. “Swiss chocolate is world-famous. But even today, when I eat a chocolate bar, I feel a little guilty. For, all the cocoa needed for this product comes from poor countries that Western countries used to colonize.” Martens, 51, who is best known for his 2008 film “Episode III: Enjoy Poverty”, and the deeply-polarising white cube project that he initiated in a former palm oil plantation in Eastern Congo, also spoke about the ‘whiteman’s guilt’ that he bears, despite his working class origins.
“White people face the risk of getting bracketed with the world’s elite and rich even as they might be financially unsound and apologetic about certain colonialist practices of their countries,” he said. “I was raised in a working-class family; yet when I recently had a conversation with a friend from this part of the world about certain histories of exploitation, he found an adversary in me,” said Martens, who divides his time between Amsterdam (Netherlands) and Kinshasa (Congo).
The question-answer session was led by KBF Editorial Lead Aswathy Gopalakrishnan. Students and faculty members of RLV College, and members of general public attended the session.
more recommended stories
Documentary Uppuveedukal Brings Kochi’s Silent Coastal Crisis to the Fore at BiennaleKOCHI:A quiet but devastating story of.
KMB-2025: When Women Weave Stories from the Heart on RugsKOCHI:Each handmade Manchaha (from the heart).
Mechanism, Studies Vital for Protecting Kochi’s Coastal Areas, Says HistorianKOCHI:The current assessment of Kochi’s vulnerability.
Subhashini Ali, KVS Manian Visit Kochi BiennaleKOCHI:Former Lok Sabha member Subhashini Ali.
“Scorched Earth, Unbroken Flights”: Shailja Kedia & Devpriya Singh Explore Coal Mine LivesKOCHI:The Students’ Biennale at St Andrew’s.
Artist Jayan V K Conducts Workshop on Pottery and Clay Modelling TechniquesKOCHI:A three-day Terracotta & Wheel Pottery.
Soil Assembly at Kochi-Muziris Biennale 2025KOCHI:A four-day ‘Soil Assembly’ conference began.
Kerala Tourism Opens All-India Photo Exhibition ‘Lenscape Kerala’NEW DELHI:Showcasing Kerala as an experiential.
KMB 2025: Pipio Exhibition – Raising Questions on Violence, Silence, and ComplicityKOCHI:On entering the room, the viewer.
Unseen Ecologies, Vanishing Forests, and Resistance at Kochi-Muziris BiennaleKOCHI:Thai visual artist and documentary filmmaker.