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Wednesday 28 January, 2026
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BREAKING NEWS
100Days: Thirike, Neestream and Gopi Make their Way into the India Book of Records
Documentary Uppuveedukal Brings Kochi’s Silent Coastal Crisis to the Fore at Biennale
KSUM Invites Kerala Startups to Showcase Innovations at Convergence India Expo 2026 in New Delhi
Research by BRIC-RGCB Scientists Sheds New Light on Brain Development, Neural Stem Cell Maintenance
Kerala Nets Investment Commitments of Rs 1,17,000 cr at WEF, Davos
CIAL International Cargo Business Summit to be held on January 31 and February 1
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  • Arts
  • Himanshu Jamod’s Artistic Expression of the Unexpected at the Kochi Biennale

    By NE Reporter on January 5, 2026

    KOCHI:

    At first glance, Himanshu Jamod’s large painting may bring to mind a dark-coloured building. However, it quickly becomes evident that it depicts a ship that has split in half.

    The artist, who hails from Bhavnagar, has captured the final journey of a ship many have known since childhood through drawings and sketches.

    This art installation is currently being exhibited at the Willingdon Island Warehouse, one of the venues for the sixth edition of the Kochi Muziris Biennale.

    Alang, in Gujarat, is often referred to as the graveyard of ships, as hundreds of old, unusable vessels are brought here for dismantling. Himanshu’s family is involved in this business, and he has observed ship dismantling since his childhood.

    He notes that few people consider what a ship cut in half truly looks like—it resembles a multi-story building.

    Himanshu emphasises that this industry provides livelihood and shelter to many families across India, highlighting the human aspect he aims to share through his art.

    He points out that while the ship dismantling centre in Gujarat often makes headlines for environmental concerns, the other side of the story remains unseen.

    Many workers, not just Gujaratis, come from various parts of the country to make a living in this profession. Himanshu stresses that this illustrates the necessity of survival.

    The dismantled materials are recycled, providing good-quality steel at a low cost within the country. He refers to this process as a circular recycling of metal waste.

    Himanshu explains that the size of his paintings is influenced by the sights he encounters daily, and he uses similar colours to reflect this. The intense colours—yellow, sea green, red, and blue—along with the large scale of his artwork, emphasise the significance of the themes he explores.

    His collection of paintings titled “Retrieve” and Seedbed have been developed in a series since 2016 and is featured in this exhibition.

    In his work, Himanshu transforms the image of a wrecked ship into a striking temporary housing complex. This innovative structure serves as a beacon of hope, offering refuge and security to numerous individuals navigating life’s hardships.

    Through his art, he powerfully conveys messages of survival and solidarity, inviting viewers to reflect on the strength that emerges when people come together.

    NE Reporter

    himanshu jamodkochi beinnalekochi muziris biennaleship dismantlingship split in half

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    Live Updates

    • Documentary Uppuveedukal Brings Kochi’s Silent Coastal Crisis to the Fore at Biennale
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    • Documentary Uppuveedukal Brings Kochi’s Silent Coastal Crisis to the Fore at Biennale
    • KSUM Invites Kerala Startups to Showcase Innovations at Convergence India Expo 2026 in New Delhi
    • Research by BRIC-RGCB Scientists Sheds New Light on Brain Development, Neural Stem Cell Maintenance
    • Kerala Nets Investment Commitments of Rs 1,17,000 cr at WEF, Davos
    • CIAL International Cargo Business Summit to be held on January 31 and February 1

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